Nome dos golpes de Muay Thai Boran

Lorde - Royals (US Version)

Josie Field and Laurie Levine 'Counting Stars' Cover

 Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be counting stars Yeah we'll be counting stars
I see this life, like a swinging vine
 Swing my heart across the line
And in my face is flashing signs
Seek it out and ye' shall find
Old, but I'm not that old Young,
but I'm not that bold
And I don't think the world is sold
On just doing what we're told
I-I-I-I feel something so right
Doing the wrong thing I
-I-I-I feel something so wrong
Doing the right thing
I couldn't lie, couldn't lie, couldn't lie
 Everything that kills me makes me feel alive
Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
 But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be counting stars
 Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
 But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be, we'll be counting stars
 I feel the love and I feel it burn
Down this river, every turn
 Hope is our four-letter word
Make that money, watch it burn
Old, but I'm not that old
Young, but I'm not that bold
 And I don't think the world is sold
On just doing what we're told
 I-I-I-I feel something so wrong
Doing the right thing
I could lie, could lie, could lie
Everything that drowns me makes me wanna fly
Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be counting stars
Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be, we'll be counting stars
Take that money
Watch it burn
Sink in the river
The lessons I've learned
Take that money
Watch it burn Sink in the river
The lessons I've learned
Take that money
Watch it burn
Sink in the river
The lessons I've learned
Take that money
Watch it burn
Sink in the river
The lessons I've learned
Everything that kills me, makes feel alive...
Lately, I've been, I've been losing sleep
 Dreaming about the things that we could be
But baby, I've been,
I've been praying hard
Said no more counting dollars
We'll be counting stars
Lately, I've been, I've been losing sleep
Dreaming about the things that we could be
But baby, I've been, I've been praying hard
Said no more counting dollars
We'll be, we'll be counting stars
Take that money
Watch it burn
Sink in the river
The lessons I've learned
Take that money
Watch it burn Sink in the river
The lessons I've learned
 Take that money
Watch it burn Sink in the river
 The lessons I've learned
 Take that money
 Watch it burn Sink in the river
The lessons I've learned

 Compositores: Ryan Tedder Letra de Counting Stars © Sony/ATV Music Publishing LLC Artista: OneRepublic Álbum: Native Data de lançamento: 2013 Director(es): James Lees Indicações: World Music Award: Melhor Vídeo do Mundo, mais Outras gravações desta música Counting Stars

OneRepublic - Counting Stars

Let Go of Attachment - Alan Watts / UG Krishnamurti / Terence Mckenna

Muay thai - Artes Letales: National Geographic en Español

Mahavatar Babaji-Mantra Meditation- Babaji Mantra

2016 United Nations Year in Review

Ben Harper e Vanessa da Mata HD

É só isso
Não tem mais jeito
Acabou, boa sorte
 Não tenho o que dizer
São só palavras
E o que eu sinto Não mudará
 Tudo o que quer me dar
É demais
É pesado
Não há paz
 Tudo o que quer de mim
 Irreais
 Expectativas
Desleais

 That's it
There is no way
It's over, good luck
 I have nothing left to say
 It's only words
And what l feel
 Won't change

 Tudo o que quer me dar
 (Everything you want to give me)
É demais (It's too much)
É pesado (It's heavy)
Não há paz (There is no peace)

Tudo o que quer de mim (All you want from me)
 Irreais (Isn't real)
Expectativas (That expectations)
Desleais

 Mesmo, se segure
Quero que se cure
Dessa pessoa
Que o aconselha

 Há um desencontro
Veja por esse ponto
 Há tantas pessoas especiais

Now even if you hold yourself
I want you to get cured
From this person
Who advises you
There is a disconnection

See through this point of view
There are so many special people in the world
 So many special people in the world in the world
All you want
 All you want

 Tudo o que quer me dar (Everything you want to give me)
É demais (It's too much)
É pesado (It's heavy)
Não há paz  (There is no peace)

 Tudo o que quer de mim (All you want from me)
 Irreais (Isn't real)
Expectativas (That expectations)
Desleais Now we're falling (Falling)
Falling (Falling)
Into the night(Into the night)
 Falling (Falling)
Falling (Falling)
 Into the night(Into the night)

Um bom encontro é de dois
Now we're falling (Falling)
Falling (Falling)
Into the night(Into the night)
Falling (Falling)
 Falling (Falling) Into the night

The Daughter - OFFICIAL TRAILER (2017)

La Casa Azul-Podria Ser Peor

 Podría Ser Peor 

 Va a costar 

 Hacer ver que no hay dolor que todo sigue igual 

 Esconder los desperfectos y disimular

 Qué bonita es la felicidad 

Podría ser peor (podría ser peor)

Nuestra frase favorita

 De despertador (podría ser peor) 

 El recurso eterno Socorrido y sanador 

Déjame gritar 

Hasta que ya no tenga fuerza 

Hasta que ya no quede nada nada 

 Nada más 

 Que los restos y desechos de la eternidad 

 No nos queda más remedio que entrar a matar

 Porque ya no nos amamos 

 Como amábamos entonces 

 Como amábamos en Shangri-La

 El temporal 

 Hace tiempo que amenaza con explosionar 

 Qué brutal y qué terrible es la sinceridad

 Como sólo dos palabras pueden destrozar

 Los tímpanos el corazón y la bondad 

Y la verdad 

 Es que ya no me apetece recapacitar 

 Ni poner en marcha nada ni recuperar 

 Algo de emoción, un pequeño crush 

 Podría ser peor (podría ser peor) 

 Nuestro mantra favorito 

 Nuestra religión (podría ser peor) 

 La premisa incontestable

 El quid de nuestro amor 

 Déjame gritar Hasta que ya no tenga fuerza 

 Hasta que ya no quede nada nada 

Nada más 

 Que los restos y desechos de la eternidad 

 No nos queda más remedio que entrar a matar 

 Porque ya no nos amamos 

 Como amábamos entonces 

 Como amábamos en Shangri-La 

El temporal 

 Hace tiempo que amenaza con explosionar 

 Qué brutal y qué terrible es la sinceridad 

 Como sólo dos palabras pueden destrozar

 Los tímpanos el corazón y la bondad 

 Y la verdad 

 Es que no supimos remontar

 La corriente se llevó el amor 

 Y no nos queda más 

 (Bye bye Shangri-La, bye bye Shangri-La)

 (Y la verdad) 

 déjame gritar 

Hasta que ya no tenga fuerza 

 Hasta que ya no quede nada nada 

Nada más 

 Que los restos y desechos de la eternidad

 Qué brutal y qué terrible es la sinceridad 

 Como sólo dos palabras pueden destrozar

 Los tímpanos el corazón y la bondad 

El temporal 

 Hace tiempo que amenaza con explosionar 

 No nos queda más remedio que entrar a matar 

 Porque ya nadie se ama 

 Como amábamos entonces 

 Como amábamos en Shangri-La 

 (Podría ser peor)

Visão de produto no Scrum

Scrum - Aprenda Scrum em 9 minutos

Vermelho Russo - Trailer oficial

Storyline

Marta and Manu are two Brazilian actresses that decide to move to Moscow to study the Stanislavski method. There, wrapped around a complex love triangle, they must overcome their differences to survive in a different country.
Details

Country: Brazil | Portugal | Russia
Language: English | Portuguese | Russian | Spanish
Release Date: 27 April 2017 (Brazil)
Also Known As: Красный русский

Clash (2016) - Trailer (English Subs)

Set entirely in an 8m police truck, a number of detainees from different political and social backgrounds are brought together by their inevitable fate, during the turmoil that followed the ousting of former president Morsi from power. Director: Mohamed Diab Writers: Khaled Diab, Mohamed Diab Stars: Nelly Karim, Hani Adel, El Sebaii Mohamed | See full cast & crew » Details Country: Egypt | France Language: Arabic Release Date: 4 May 2017 (Brazil) Also Known As: Clash See more » Filming Locations: Cairo, Egypt "... Clash takes place in only one setting a 8m police truck .. from the beginning .. You would have this Claustropohbia even if you don't have it. Diab wanted to tell us than the true claustrophohia is in our thinking, in the narrow thinking that could end all of us. This movie isn't pointed toward a single audience. I It's a movie about humanity, about how to accept each other even if sometimes we can't stand each other but in order to move forward we have to, and it's done in a beautiful symbolic way. It also have a political background and it may seem at first that's it's the movie's story but actually no, the political purpose is there. I won't deny but it's crafted in a light way that Foreign audience can still watch and enjoy and have the same impact as Egyptian one's ..
  https://www.theguardian.com/film/2016/may/13/clash-review-egyptian-revolution http://www.imdb.com/title/tt5599692/?ref_=ttawd_awd_tt

Comunicação não-violenta

". ..quanto mais você se tornar um conhecedor da gratidão, menos você será vítima do ressentimento, da depressão e do desespero. A gratidão funcionará como um elixir que gradualmente dissolverá a concha dura de seu ego — sua necessidade de possuir e controlar — e transformará você num ser generoso. O senso de gratidão produz uma verdadeira alquimia espiritual, torna-nos magnânimos — de almas grandes."

Sam Keen

When I run after what I think I want, 
my days are a furnace of stress and anxiety; 
if I sit in my own place of patience, 
what I need flows to me, and without pain. 
From this I understand that 
what I want also wants me, 
is looking for me and attracting me. 
There is a great secret here 
for anyone who can grasp it! 

Rumi

The Fourth Industrial Revolution | Full Version (Subtitled)

ZAZ - On Ira (Live Exceptionnel France 2 TV) HQ

Zaz Le Long De La Route LIVE

 Le long de la route 

Zaz

On n'a pas pris la peine

De se rassembler un peu

Avant que le temps prenne

Nos envies et nos voeux

Les images, les querelles

Du passé rancunier

Ont forgé nos armures

Nos coeurs se sont scellés

Rester seul dans son coin

Nos démons animés

Perdus dans nos dessins

Sans couleur, gris foncé

On aurait pu choisir

Le pardon, essayer

Une autre histoire d'avenir

Que de vouloir oublier

Prenons-nous la main

Le long de la route

Choisissons nos destins

Sans plus aucun doute

J'ai foi et ce n'est rien

Qu'une question d'écoute

D'ouvrir grand nos petites mains

Coûte que coûte

On n'a pas pris la peine

De se parler de nous

Nos fiertés tout devant

Sans pouvoir se mettre à genoux

Dans nos yeux transparents

Le mensonge sur nos dents

Impossible de le nier

Tout le corps révélé

Prenons-nous la main

Le long de la route

Choisissons nos destins

Sans plus aucun doute

J'ai foi et ce n'est rien

Qu'une question d'écoute

D'ouvrir grand nos petites mains

Coûte que coûte

Prenons-nous la main

Le long de la route

Essaye, vivre la vie

Glisser sans retenir

Et les mots ne sont que des mots

Pas les plus importants

On y met nos sens propres

Qui changent au gré des gens

C'est con, ce qu'on peut être con

A se cacher de soi même

C'est con, ce qu'on peut être con

Car l'autre n'est que le reflet de ce qu'on se met à couvert

Si nos je t'aime à l'entrée

Ne veulent pas nous figer

C'est le début de nos rêves

Qui tendent à se confirmer

C'est con, ce qu'on peut être con

A se cacher de soi-même

C'est con, ce qu'on peut être con

Car l'autre n'est que le reflet de ce qu'on se met à couvert

C'est con, ce qu'on peut être con

A se cacher de soi même

C'est con, ce qu'on peut être con

C'est con, ce qu'on peut être con

C'est con, ce qu'on peut être con

Stromae - Alors On Danse

Alors On Danse

Stromae

Alors on danse

Alors on danse

Alors on danse

Qui dit étude dit travail

Qui dit taf te dit les thunes

Qui dit argent dit dépenses

Qui dit crédit dit créance

Qui dit dette te dit huissier

Oui dit assis dans la merde

Qui dit Amour dit les gosses

Dit toujours et dit divorce

Qui dit proches te dis deuils

Car les problèmes ne viennent pas seul

Qui dit crise te dis monde dit famine dit tiers-monde

Qui dit fatigue dit réveille encore sourd de la veille

Alors on sort pour oublier tous les problèmes

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Alors on danse?

Et la tu t'dis que c'est fini car pire que ça ce serait la mort

Qu'en tu crois enfin que tu t'en sors

Quand y en a plus et ben y en a encore!

Ecstasy dis problème les problèmes ou bien la
musique

Ça t'prends les trips ça te prends la tête

Et puis tu prie pour que ça s'arrête

Mais c'est ton corps c'est pas le ciel

Alors tu t'bouche plus les oreilles

Et là tu cries encore plus fort mais ça persiste

Alors on chante

Lalalalalala, lalalalalala

Alors on chante

Lalalalalala, lalalalalala

Alors on chante

Alors on chante

Lalalalalala, lalalalalala

Alors on chante

Lalalalalala, lalalalalala

Alors on chante

Et puis seulement quand c'est fini, alors on danse

Alors on danse

Alors on danse

Alors on danse

Alors on danse

Alors on danse

Alors on danse

Alors on danse

Et ben y en a encore

Et ben y en a encore

Et ben y en a encore

Et ben y en a encore

Et ben y en a encore

"Falo: português, alemão, francês, inglês, espanhol, italiano, esperanto, um pouco de russo; leio: sueco, holandês, latim e grego (mas com o dicionário agarrado); entendo alguns dialetos alemães; estudei a gramática: do húngaro, do árabe, do sânscrito, do lituânio, do polonês, do tupi, do hebraico, do japonês, do tcheco, do finlandês, do dinamarquês; bisbilhotei um pouco a respeito de outras. Mas tudo mal. E acho que estudar o espírito e o mecanismo de outras línguas ajuda muito à compreensão mais profunda do idioma nacional. Principalmente, porém, estudando-se por divertimento, gosto e distração."
G.R.

“It has been said that the highest wisdom lies in detachment, or, in the words of Chuangzi: ‘the perfect man employs his mind as a mirror; it grasps nothing; it refuses nothing; it receives, but does not keep.’ Detachment means to have neither regrets for the past nor fears for the future; to let life take its course without attempting to interfere with its movement and change, neither trying to prolong the stay of things pleasant nor to hasten the departure of things unpleasant. To do this is to move in time with life, to be in perfect accord with its changing music, and this is called Enlightenment. In short, it is to be detached from both past and future and to live in the eternal Now; by themselves they are illusions. Life exists only at this very moment, and in this moment it is infinite and eternal. For the present moment is infinitely small; before we can measure it, it has gone, and yet it persists for ever. This movement and change has been called Dao by the Chinese, yet in fact there is no movement, for the moment is the only reality and there is nothing beside it in relation to which it can be said to move. Thus it can be called at once the eternally moving and eternally resting.

How can we bring ourselves in accord with this Dao? A sage has said that if we try to accord with it, we shall get away from it. But he was not altogether right. For the curious thing is that you cannot get out of accord with it even if you want to; though your thoughts may run into the past or the future they cannot escape the present moment. However far back or forward they try to escape they can never be separated from the moment, for those thoughts are themselves of the moment; just as much as anything else they partake of, and, indeed, are the movement of life which is Dao. You may believe yourself out of harmony with life and its eternal Now; but you cannot be, for you are life and exist now–otherwise you would not be here. Hence the infinite Dao is something which you can neither escape by flight nor catch by pursuit; there is no coming toward it or going away from it; it is, and you are it. So become what you are.”

-Alan Watts

ANIVERSÁRIO

Keep Going

Raise your words, not your voice. It is rain that grows flowers, not thunder.

Hozier - Take Me To Church - Later... with Jools Holland - BBC Two

Jack y la Mecánica del Corazón - Trailer

Relatos Selvagens - Trailer Legendado

Uma comédia de humor negro com seis histórias explorando o tema da vingança. Diante de uma realidade cruel e imprevisível, os personagens caminham sobre a linha tênue que separa a civilização da barbárie. Uma traição amorosa, o retorno do passado, uma tragédia ou mesmo a violência de um pequeno detalhe cotidiano são capazes de empurrar estes personagens ao inegável prazer de perder o controle.
DireçãoDAMIÁN SZIFRÓN
RoteiroDAMIÁN SZIFRÓN
FotografiaJAVIER JULIÁ
MontagemDAMIÁN SZIFRÓN, PABLO BARBIERI
MúsicaGUSTAVO SANTAOLALLA
ElencoRICARDO DARÍN, OSCAR MARTINEZ, DARÍO GRANDINETTI
ProdutorPEDRO ALMODÓVAR, AUGUSTÍN ALMODÓVAR, MATIAS MOSTEIRIN, ESTHER GARCÍA
ProduçãoKRAMER & SIGMAN FILMS
DistribuiçãoWARNER BROS.

Artist: Sandro Botticelli Completion
Date: 1485
Style: Early Renaissance
 Genre: religious painting
Technique: tempera
Material: wood Dimensions: 82 x 54 cm
Gallery: Städelsches Kunstinstitut, Frankfurt am Main, Germany

"Renaissance Italian art is widely considered some of the most beautiful pictorial efforts ever produced. Amongst the masters of the period is Sandro Botticelli, a Florentine painter who is responsible for creating two of the most iconic paintings of the period; The Birth of Venus and The Primavera. 

When looking closely at these two subjects, the similarities of the two protagonists seem to indicate the existence of a muse, and historians believe her to be Simonetta Vespucci, the most beautiful woman of Florence and hence of the Renaissance as a whole. 

SAt the age of 16, Simonetta was married to Marco Vespucci, a Florentine student at the Banco di San Giorgio in Genoa and a distant relative of Amerigo Vespucci. Marco was desperately in love with the young Geonese beauty and his proposal was accepted due to his advantageous connections to the Medici Family in Florence. Simonetta and Marco were married in 1469 in Florence, at the Medici’s palazzo in Via Larga and then the reception was held at the lavish di Careggi. Simonetta had won the favour of the Medicis immediately. Her beauty and grace soon mesmerized the whole of Florence, and caught the attention of more than one man.

Simonetta became known as the most beautiful woman in Florence, and later the most beautiful woman of the Renaissance.Giuliano won the tournament and the affection of la bella Simonetta, who was nominated “The Queen of Beauty” at that event. Whether the two became lovers its unknown, and poor Simonetta died of pulmonary tuberculosis a year later in April 1476, at only 22.

Her beauty however lives on in the paintings of Sandro Botticelli, or at least many believe it to be so. The recurring figure of the slender, classic beauty crowned with a mass of golden strawberry blonde hair resembles the descriptions of Simonetta.

Though some art historians dispute the rapport between Botticelli and Simonetta as a romantic notion, we can’t resist but speculate on the most beautiful women of the renaissance being the muse of one of the most important artists of the period, such perfect symmetry.

The similarities between the subjects are undisputable, though many believe those features to be representative of the canons of beauty of the time more than referenced to a single subject. Botticelli however was  definitely commissioned a portrait of Simonetta by Giuliano de Medici for the jousting tournament, and that’s where the artistic infatuation may have started.

The remarkable similarity between Simonetta Vespucci and Botticelli’s Venus

There is however one fact that suggests more than just an artistic rapport between master and muse.

Whnen Botticelli died in 1510 requested to be buried at Simonetta’s feet in the Church of Ognissanti, parish church of the Vespucci – in Florence. His wish was in fact carried out when he died some 34 years later, in 1510.

Though the world has seen many muses rise and fall since the 15th century, we find it difficult to imagine a stronger bond, or a more chivalric one than that between the most beautiful woman of the Renaissance and the most sensitive artist of the period." 

http://www.swide.com/art-culture/history/birth-of-venus-model-the-history-of-simonetta-vespucci-renaissance-most-beautiful-woman/2013/10/27